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I often worry too much about the technical side of playing (and sounding a bit robotic because of that) and neglect the emotional side of it. Great video! Thank you!

Very helpful video. I recently bought a music book (music from minecraft - easy piano collection) that has 'easy' piano arrangements, and while the arrangements might be easy, it had the bare minimum amount of finger numbers in it, and a few of the fingering suggestions just seemed downright bad. Having some principles/a guide to follow as I try to figure out my own fingerings is very useful!

How to make piano curriculum for different ages?!

Please pianoTV can you please show how to make variations of the variations you can make in theme and variation. I would really like to know how to learn to improvise theme and variation

Hi...my son is taking level 1 Piano RCM exam online . my question is , can he give his exam on 66 keys keyboard? (Casiotone CT -S 195 )

Nonsense, common sense. You're reaching

Wtf is john Mayer got to do with the blues??😂😂😂. Delete this crap.

So, RUclips made a playlist for me with romantic music a week ago. In that playlist there was a piece of music by Rachmaninof. It was from a movie "Somewhere in time". I knew it from the Winter Olympics. A Russian pair was dancing to this piece in figure skating. It was Variation #18 from Rhapsody on a Theme by Paganini. Now I can't get it out my head. I hear it all the time on RUclips.

Useless video. Product talk, no use and report

For you guys I've made a series on "Understanding Your Body to Improve Piano Technique" Feel free to check it out if you want to know more about your body to play the piano more freely ruclips.net/video/MQzCnLCnh2c/видео.html

Just brilliant teaching. I have never had a lesson as good as this offering from Allysia. In fact the entire Piano TV lesson system is just Top Level. Highly Recommended. Listen to Allysia! Thank you from Tosca

The part where pope peogory 1 is supposed tp ne (540-604

This is the lowest tempo Ive heard the "dog waltz" and I like it slower better!! Thank you

I like your hair!!!

Great piece and insightful tutorial. Thank you

Thank you! Yes! two very good ideas to put to work tomorrow while playing the pieces I am working on. Best!

Great. Reminds me of Bach's prelude in c major. I pretty much could just site read it. Changed the fingering in the first 4 notes (measures 1 and 9), treble clef, to 4-3-2-1. Just works better for me. Only thing I have to practice/work on, is getting it up to speed smoothly with no unwanted pauses. Thank u 4 the pdf. xoxo.

Some of these pieces sound much more elaborate and challenging than mere grade 1.

What a gorgeous piece!!❤❤

It’s so good to see you!

Love the new setting. Great video, thanks. Best regards from Argentina

Baby deer steps. Think I will use that.

your newly painted walls looks awesome

You focused on the ‘technical’ difficult but he wrote lots of pieces that are harder musically

3-4 hrs practise in total for one piece?? 😮 I am around grade 5-6 repertoire and it takes me 1-2 months 1hr daily for most pieces. Still around 1 week for grade 2 pieces for the 40x challenge. I feel very stupid now... And I don't think I am not musical, also diligently practise sightreading and scales/arpeggio stuff... 2-3hrs total practise time daily

Any reason you chose Paul pitman

Amazing tutorial

Armenia 🇦🇲

Practice 2-3 hours a day????!!! I cant play more then 10 minutes whitout pain....I play 5 minutes and take a break....

No lies detected

How in the heck do I get a song that I paid for on their website into the musescore studio editor????? I don't see how to do this!!! It should be easy

Before watching this video, I always thought Impressionism is all about scenery, like it's taking you to something or somewhere your eyes can see/feel. With other style it's more like understanding what that person feels about something, whether that be love, sadness, anger, etc.

This is very interesting. Thank you. One point to note is that these techniques are for speeding up. Before we speed up, we need to learn the notes and start getting them into muscle memory. It's very risky to try to speed up until we've done this, because any mistakes we make can quickly become habits, and correcting these habits is much harder than avoiding them in the first place. Another point is that, while pieces by Bach and other baroque composers are often quite regular in their rhythms, this often doesn't apply to music from later periods. I'm currently learning Beethoven's trio Op1 no2. The first movement has some very easy passages in quarter- and eighth-notes, and some short but very tricky passages in triplet 16th notes. It would be a waste of time to play through the whole of this movement at, say 60bpm. Most of it is too easy to need this. So, for music that has passages of varying difficulty, I often feel that the flying method is the only one worth using. Finally, it's really important to practice the bridges on both sides of a passage we're practicing. I've sometimes started practicing some measure, only to realise that I was starting on the wrong finger, which wouldn't have happened if I had played a lead-in.

Good advvice

I find that I try to speed up a piece too quickly. I guess patience is.a virtue. Be content with slowly increasing the speed. I have a request for you. When playing two notes together (especially in my left hand) I have trouble playing them exactly simultaneously. One note always plays slightly ahead of the other. I find it is more pronounced following a big jump in hand position. Any tips on correcting this?

I loved your music history videos and I’d love some videos on philosophy history!

Honestly, those last pieces in the book are actually what I'm most excited for. I don't get why people would want to skip them! The Entertainer and At Last look really fun to play, and some clips I've seen of people performing those arrangements look quite good!

OMG. Do some research on pronunciation. Nadezhda and Bizet. Really??????????!!!!!!!!!!! Discredits your scholarship (which is actually good)….but….stopped watching.

Fantastic fantastic

This is the only piece that makes me want to play the piano (I play violin though😊). The 1st movement is so eeriely beautiful. The 2nd movement is a smooth transition. And the third movement is BOMB!!

5:00 which piece did she mean there?

I almost always start with playing through the entire piece, and normally some parts are weaker than other parts. Then I'll consentrate on the weaker parts and repeat them in 2-4 bar sections. The goal is not necessarily to get them up to full speed, but at least to get them up to a point where they're no longer the weakest parts of the piece. Then I play through the whole piece again, and notice that now some other parts have become the weakest parts. Rinse and repeat.

Need to play in a relaxed way and use efficient fingerings. Otherwise you get to a certain point and can't go faster...

Sometimes I "overspeed" - going somewhat faster than I can. Then, after a few minutes, going back to my normal tempo makes me relax and it feels easier.

How your hair straight on top but curly on bottom

How would you handle large works, like the 3rd movement of the Moonlight sonata? Take it in sections and then bridge them together?

That really helpful and timely, thank you 🙏

This is a wonderful lesson!! There is so much good honest information in this one. Thank you!!!!

I'm hopping over to Teoria as ear training Is my nemesis! I've avoided it until now but I can play the avoidance game no longer.

Plot twist - it's already fast enough.